My work is about creating portals that get people closer to the water/nature and closer to that feeling of belonging in a place (preferably the place where they live). I have most often looked to the water as place for hosting social sculptures and immersive experiences. The shoreline is a place where many human and non-human interests collide. It is an in between space, a place that requires negotiation, which is why I like to use the shoreline to bring attention to cultural phenomena happening on land. Sometimes I make floating installations and performances that highlight the loss of cultural space on land (a la gentrification or the affects of general systemic violence). Sometimes I create visual art and installations that help me understand the social psychology and democracy of our time. More broadly though, I am interested in understanding how we can better negotiate space. I am interested in collective responses to disaster and the future. I was raised in South Texas, 5 miles from where the Rio Grande River dumps into the Gulf of Mexico. My marine biologist father taught me how to survive in our landscape. For this I am infinitely grateful. In a sense, most of my work is trying to re-create the kind of experiential education he provided me; it is a meditative labor, a practice in hope, and most importantly about an embodiment of the experience of possibility.